Fly Me to the Moon: A Song That Became Synonymous with Evangelion

This timeless song, originally penned by Bart Howard in 1954, transcends its traditional jazz roots and finds a unique place in the realm of anime through its association with the seminal series, "Neon Genesis Evangelion." The emotional gravity and haunting elegance of this piece have made it synonymous with the series, serving as an auditory emblem of the tumultuous narrative and themes explored within.

In "Neon Genesis Evangelion," a groundbreaking anime directed by Hideaki Anno and produced by Gainax, the use of "Fly Me to the Moon" during pivotal moments elevates both the aesthetics and the emotional weight of the story. The series premiered in 1995 and quickly garnered attention for its ambitious storytelling and innovative animation. While the show delves deeply into philosophical, psychological, and emotional complexities, the choice to incorporate jazz standards—especially "Fly Me to the Moon"—further enriches its narrative texture. The song's wistful longing and romantic imagery juxtapose the human struggles faced by characters like Shinji Ikari and Rei Ayanami, highlighting their isolation and yearning for connection amidst a backdrop of apocalyptic conflict.

Musically, Howard's composition presents a rich tapestry of jazzy chord progressions and lyrical depth. The song's melody flows seamlessly, allowing for various interpretations, and evokes a sense of nostalgia. In the context of "Neon Genesis Evangelion," the choice of this standard is both innovative and poignant. Its incorporation into the series takes on new meaning, as it often accompanies moments of stillness and reflection, allowing viewers to ponder the deeper themes of the show, such as identity, purpose, and human relationships.

However, the song's prominence in the series was not without its controversies. The original Japanese broadcast of "Neon Genesis Evangelion" featured different renditions and arrangements of "Fly Me to the Moon," but it was the version by the singer Claire Littley that became synonymous with the show in the West. This reinterpretation, with its ethereal vocals and gentle piano accompaniment, captures the melancholic beauty that aligns perfectly with the series' more profound emotional beats. Littley’s version has become a powerful, emotional anchor, resonating with audiences long after the first viewing.

The cultural impact of "Fly Me to the Moon" within the context of "Neon Genesis Evangelion" is profound. The integration of Western music into an anime context served to bridge cultural gaps, introducing a wider audience to jazz while enhancing the viewing experience. This melding of cultures showcases the universality of music as a means of storytelling, proving that certain emotions transcend language and geography. In subsequent years, "Neon Genesis Evangelion" has influenced countless works within the anime and manga industries, inspiring new generations of creators. Today, the series and its musical choices are studied for their artistic significance, representing a turning point in how music can impact narrative delivery within the medium.

In summary, "Fly Me to the Moon" serves as more than just a background track in "Neon Genesis Evangelion"; it encapsulates the series' thematic depth and emotional complexity. Its unique blend of jazz artistry and poignant storytelling has allowed it to become a cultural touchstone, inviting viewers into a deeper exploration of the characters and their struggles. For both anime and music fans, this song invites further exploration into its legacy and the world of jazz, reinforcing the notion that great music transcends boundaries and connects us all.